DSD-Guide.com

Direct Stream Digital Audio

Blogs

Meghan Andrews

This is a question that has perplexed many of us who record in high resolution audio.  Sure, our focus is on DSD / one bit recording...  but why are most audio engineers recording at 44.1 or 48?  You think it would be easy to move to PCM 9624 or 192.  Heaven forbid anyone should move to recording in DSD!

It's not a simple answer.

Recently the subject has come up as to why downloads and streaming services play back differently?  This article begins to explore why that happens and welcomes comments about your experiences.

H-Res Audio

Have you listened to the same song playing from Tidal? Qobuz? Applemusic?  Youtube?  Do you notice subtle differences?  We're going to explore this concept and welcome your explorations comparing these services.  Where do these companies get their files from?

Setting up a listening test to compare various types of files is not easy.  You need a base of equipment and a trusted set of files to start.  Set aside several hours and have a few people involved.  We rarely do a test with fewer than 3 people. Here we'll explore some of the basics steps to compare files.

math vs ears

In a recent discussion at computeraudiophile.com I was asked to participate on a thread about a math experiment that led to this conclusion... "The math says there's no difference between the FLAC and the WAV file".   We do listening tests.. regardless of math.  If we hear a difference... even the slightest difference and it can be duplicated several times, then something is wrong and needs investigation.

San Francisco Symphony

Recently some prominent audiophile reviewers have voiced their opinion on what they believe an audiophile recording is.  Opinions vary greatly and seem to depend on the favorite genre or listening style of the reviewer.  Written by Cookie Marenco, Blue Coast Records

The discussion of the Loudness Wars has finally reached a few ears in the pro audio community.  We are grateful to Tape Op for presenting this article written by Aaron Mullan.

Blue Coast Collection

More and more people want to get involved with DSD audio but don't know where to start.  What do you suggest to friends who have an interest in better quality sound but don't have the inclination to spend a lot of time or money setting it up?  Send us your best ideas and we'll post here!

Send your ideas to support@DSD-Guide.com

JRiver Media Center is running a poll on the importance of DSD for your listening.  Now is the time to vote!  JRiver was one of the first media programs that helped catalog, playback and convert DSD files.  It is considered one of the finest when it comes to sound.  They promise to continue their excellent service to audiophiles and TV viewers.

Andrew Jones, ELAC

Andrew Jones, legendary speaker designer now with ELAC, explains to John Darko of Darko.Audio web magazine that Direct Stream Digital (DSD) master recording tracks usually transfer into another format such as Pulse Code Modulation (PCM) for mixing, mastering and other processing.  Enjoy the entire 14 minute interview about DSD, new ELAC products and topics discussed at the Munich Audio Show.

Pages

Subscribe to RSS - blogs